Esa-Pekka Salonen

Finland
June 30, 1958

Web-mjesto

Esa-Pekka Salonen is a Finnish orchestral conductor and composer. He is currently Principal Conductor and Artistic Advisor of the Philharmonia Orchestra in London, Conductor Laureate of the Los Angeles Philharmonic, Composer-In-Residence at the New York Philharmonic, Artistic Director and cofounder of the Baltic Sea Festival, Artist in Association at the Finnish National Opera and Ballet, and principal conductor of the Swedish Radio Symphony Orchestra for 11 years.

Pokaži više

Tijekom posljednjih 14 dana:

27 snimki
23 stanice
10 država

Esa-Pekka Salonen top pjesme

1	Symphony No. 1: I. Allegro giusto
2	Reflections by Esa-Pekka Salonen
3	Violin Concerto No. 1 in A Minor, Op. 99 (Formerly, Op. 77): III. Passacaglia (Andante)
4	Concerto for Orchestra, Sz. 116: III. (Elegia). Andante, Non Troppo
5	Morning Mood from Peer Gynt Suite, No. 1
6	Pan and Syrinx, Op. 49
7	Symphony No. 6 "Sinfonia Semplice": II. Humoreske - Allegretto
8	Music for String Instruments, Percussion and Celeste, Sz. 106: I. Andante Tranquillo
9	Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights
10	Romeo and Juliet, Op. 64 (Excerpts): Farewell Before the Parting
11	Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene (Instrumental)
12	Romeo and Juliet, Op. 64 (Excerpts): Death of Juliet
13	The Theft
14	Concerto No. 2 in F Major for Piano and Orchestra, Op. 102: III. Allegro
15	Concerto No. 1 in C minor for Piano, Trumpet and Orchestra, Op. 35: I. Allegro moderato
16	Psycho: The Murder
17	Toccata & Fugue in D Minor, BWV 565: Fugue
18	Symphony No. 4 in E flat major, "Naive": II. Adagio
19	Peer Gynt, Op. 23: Morning Mood
20	Serenade in F Major, Op. 31: V. Finale
21	Symphony No. 1, Op. 7: III. Allegro comodo
22	Symphony No. 82 in C Major, Hob.I:82 "The Bear": I. Vivace
23	Symphony No. 5 in C Minor, Op. 67: II. Andante Con Moto
24	Dance of the Dolls - Orchestrated by Tamas Batiashvili: Lyric Waltz
25	The Man Who Knew Too Much: Prelude

Esa-Pekka Salonen citati

Every orchestra I know, every opera house I know, is desperately looking around trying to find new talent, new composing talent, supporting young composers, supporting new ideas, supporting new ways of getting the message across.