James Levine

United States
June 23, 1943 – March 9, 2021

James Lawrence Levine was an American conductor and pianist. He is primarily known for his tenure as Music Director of the Metropolitan Opera (the "Met"), a position he held for 40 years (1976–2016). He was formally terminated by the Met from all his positions and affiliations with the company on March 12, 2018 over sexual misconduct allegations which he denies.

For the last 14 days:

25 tracks
16 stations
8 countries

James Levine top songs

1	Cavalleria Rusticana: Intermezzo sinfonico
2	Cavalleria rusticana: Mamma, mamma! Quel vino è generoso
3	Cavalleria Rusticana: Act: Intermezzo sinfonico
4	Violin Concerto No. 1 in B-Flat, K. 207 - Cadenzas: Itzhak Perlman: 1. Allegro moderato
5	Manon Lescaut: "Tra Voi Belle, Brune e Bionde"
6	La forza del destino: Me pellegrina ed orfana
7	Macbeth: Perfidi! All'anglo Contro Me V'unite!
8	Faust: No. 24 Sérénade: "Vous Qui Faites L'endormie"
9	Manon Lescaut, Act I: "Cortese damigella ... Donna non vidi mai"
10	Symphony No. 40 in G Minor, K. 550: 1. Molto Allegro
11	The Barber of Seville, Act I: Overture
12	Symphony No. 41 in C, K. 551 - "Jupiter": 1. Allegro Vivace
13	Symphony No. 41 in C, K. 551 - "Jupiter": 2. Andante Cantabile
14	Symphony No. 40 in G Minor, K. 550: 2. Andante
15	Symphony No. 40 in G Minor, K. 550: 4. Finale (Allegro Assai)
16	Violin Concerto No. 3 in G, K. 216: 3. Rondeau. Allegro - Cadenza: Itzhak Perlman
17	La Forza del Destino, Act I: Overture
18	Symphony No. 40 in G Minor, K. 550: 3. Menuetto (Allegretto)
19	Die Walküre: The Ride of the Valkyries
20	Symphony No. 41 in C, K. 551 - "Jupiter": 3. Menuetto (Allegretto)
21	Aida, Act II, Scene 2: Grand March
22	Symphony No. 3 in E-Flat, Op. 97 - "Rhenish": V. Lebhaft
23	Cavalleria Rusticana: Act: Intermezzo sinfonico
24	Symphony No. 41 in C, K. 551 - "Jupiter": 4. Molto allegro
25	Symphony No. 40 in G Minor, K. 550 : Molto Allegro

James Levine quotes

Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.